On January 26th, I wrote in my notebook, “I’ve been feeling cranky for the last few days and did not realize why I was feeling cranky until I wrote.”
* * *
If I do not write, I do not know what I’m thinking/feeling. Just like yoga connects “me” to my body, so writing connects me to my thoughts/feelings, or what I refer to as sentipensante, a word I discovered when I read Eduardo Galeano’s The Book of Embraces.
Sentipensante reminds me of where I have roots since, according to Galeano, the word comes from Colombia. The word reminds me that separation is an illusion. There is no separation from my personal life or my private life. There is no separation from my mind and body, or from my thoughts and feelings.
At some point I learned to divide myself, compartmentalize myself. Now I am unlearning this bad education, this lie. And this new learning, this new education influences my language, which is why I now use the word sentipensante, a word that has nothing to do with lies and everything to do with truth.
* * *
But I did not intend to tell you about why I write or about the word sentipensante. My intention was to tell you why I’ve been feeling cranky. One reason is death. To use David Shields title “The Thing About Life is that One Day You’ll Be Dead.” This is a fact. A fact that I suppose most of us do not like to think about.
* * *
I have a poster of this David Shields book. The poster is big and bright blue and in white letters reads “The Thing About Life is that One Day You’ll Be Dead.” I keep it in my room. Most days I read those words.
My friend who works at a local independent bookstore in Pasadena gave me the poster. The bookstore had the poster for promotional purposes.
* * *
My friend surprised me with the giant poster the day I attended a reading at the bookstore. The day she gave me the poster David Sedaris was reading essays from his book “When You are Engulfed in Flames.” The day she gave me the poster was also the day that my half-brother’s mother suddenly died. My brother texted me that his mother died, and I immediately left the bookstore, holding a giant poster that read “The Thing About Life is that One Day You’ll Be Dead.”
I think my friend felt bad that of all days she chose that day to surprise me with the poster. But she didn’t know. She couldn’t have known. We had no idea that my brother’s mother was going to die that Sunday afternoon.
* * *
There are certain moments that remind us of the fact that we will one day die.
I started writing this essay (if that’s what this is) on January twenty-sixth. Today is February second. My second cousin died today. I received a text message from my sister telling me she died.
Apparently, my sister and brother both choose to communicate news about death through text messages, a form I would not choose. Although, that is besides the point.
* * *
On January twenty-second, my second cousin was found lying unconscious in her home in Buffalo, New York. She had been lying unconscious for three days before someone found her. She may or may not have been found in a puddle of blood. She may or may not have been found lying in her vomit. These are things I’m not supposed to know. These are things I’m not supposed to tell you.
Her story is a story about loneliness, isolation. Her story causes me to ask, Who do we chose to accept? Who do we choose to reject? What happens when we have no community?
Without a community, you can have a stroke and lie on your living room floor, for days, still breathing.
Her sister who lives somewhere else had been trying to reach her for three days. Finally she asked the neighbor, who had a key, to check on her. And they found her unconscious on the floor.
* * *
My mother was very close to my second cousin. My second cousin was sixty-two. My mother is sixty-two. My mother feels both grief and fear. There are certain moments that remind you of the fact, the fact we do not much like to think about.
* * *
On January twenty-sixth, I thought about my second cousin for the first time. I thought about what was happening. She was lying in a hospital bed, my mother told me, with tubes in her body.
My mother took a redeye flight from LAX to see her one last time. When my mother spoke to her, my second cousin cried. She began gasping for air. The nurse told my mother to stop talking to my second cousin. The nurse said my mother was causing her too much excitement.
On January twenty-sixth, I started writing about what was happening. I started to realize that I felt something. Maybe I felt angry. Maybe I felt afraid. Maybe I felt both emotions simultaneously. Whatever I was feeling, it was why I’d been feeling cranky.
* * *
The thing about life is that one day you’ll be dead. It’s a fact and today I don’t much like the fact. It’s not that I want to live forever. It’s just that I don’t like the idea that you never know when.
You know the words that Joan Didion repeatedly wrote after the sudden loss of her husband.
Life changes in the instant.
The ordinary instant.
You may not know that she repeatedly wrote these words. I do. I do because I read “The Year of Magical Thinking,” three times.
* * *
My Craniosacral therapist who is also one of my yoga teachers told me that I have issues with control, which of course I already knew. What I did not know is how my body reacts to my control issues. She told me to notice what I do with my jaw throughout the day, so I started to pay attention to my jaw.
I clench my jaw. I clench my jaw whenever I am planning my day, whenever I feel like I am running out of time or my plans won’t pan out. At night, I clench and grind my teeth. My dentist tells me I will wear my teeth down. My dentist recommends I get a night guard.
* * *
I understand that the thing about life is that one day I’ll be dead. I just hate that I can’t plan my life around a specific day. Which instant, which ordinary instant, when and where. If I could just pencil that into my life planner. If I just knew on what day I’ll be dead, then—what?
I’d be happy?
Probably not.
I’d feel better about my death?
Unlikely.
* * *
During my sessions, my craniosacral therapist holds my head in her palms and whispers, Let go.
When she tells me to let go, it doesn’t seem cheesy. It seems as though she actually feels all the tension and stress in my body, the tension and stress that I think is normal.
She whispers, Let go, and I try. I try to let go.
Because if I let go, maybe I’d feel happier more of the time. Maybe if I let go, I’d accept that one day I will die. Or maybe I’d stop grinding my teeth at night.
* * *
I know I’m holding on to something. I’m clinging to it, desperately. But I have no idea what that something is. How do you let go, if you don’t know what you’re holding onto?
* * *
I was writing about death. I was talking about my second cousin who died today and I feel angry and afraid because she died and her death caused me to think about my own death. I know I’m going to die but don’t know when. So what can I do? I ask myself.
An Audre Lorde essay comes to mind. “The Transformation of Silence into Language and Action.” She wrote the essay less than two months after she found out she had breast cancer.
I will excerpt some of it here because some of her essay answers the question I asked myself.
“In becoming forcibly and essentially aware of my mortality, and of what I wished and wanted from my life, however short it might be, priorities and omissions became strongly etched in a merciless light, and what I most regretted were my silences. Of what had I ever been afraid? To question or to speak as I believed could have meant pain, or death. But we all hurt in so many different ways, all the time, and pain will either change or end. Death, on the other hand, is the final silence. And that might be coming quickly, now, without regard for whether I had ever spoken what needed to be said, or had only betrayed myself into small silence, while I planned someday to speak, or waited for someone else’s words. And I began to recognize a source of power within myself that comes from the knowledge that while it is more desirable not to be afraid, learning to put fear in perspective gave me great strength.
“I was going to die, if not sooner then later, whether or not I had ever spoken myself. My silence had not protected me. Your silence will not protect you. But for every real word spoken, for every attempt I had ever made to speak those truth for which I am still seeking, I had made contact with other women while we examined our words to fit a world in which we all believe, bridging our difference. And it was the concern and caring of all those women which gave me strength and enabled me to scrutinize the essentials of my living.”
* * *
She also writes in this essay, “…I am myself — a Black woman warrior poet doing my work — come to ask you, are you doing yours?”
Am I doing my work?
At this moment I happen to be in a space called “Writers at Work.” The space is in a room on Hillhurst Avenue in Los Feliz, located above a “Hair Clinic.” I am sitting at a large desk (well, six folding tables lined side by side) with four other women. We are all writing and now I am looking at the women and listening to them and what I hear is the sound of four women writers doing their work.
Tonight I echo Audre Lorde.
Tonight I ask you, Are you doing your work?
* * *
In Joan Didion’s “The Year of Magical Thinking,” John Dunne says, “Why did I waste time on a piece about Natalie Wood.” Joan Didion writes, “It was not a question.” He said this in a taxi either three hours or twenty-seven hours before his death.
Don’t waste your time on a piece about Natalie Wood. Don’t waste your time. Do your work.









































